Spotlight on the National Parks of Afghanistan

National parks protect some of the world’s most important wildlife habitats and rare species that dwell in them. In this article, we look at a selection of protected areas in Afghanistan and endemic wildlife such as snow leopards, jackals, wolves, and bears.

Wakhan National Park

Encompassing alpine grasslands, soaring mountains, and a unique selection of wildlife, Wakhan National Park is located in northeastern Afghanistan. The region is inhabited by several tribes who seek to preserve its culture and traditional way of life.

Wakhan National Park
Image courtesy USAID | Flickr

Recognized as one of the last truly wild regions in the world by Prince Mostapha Zaher, the director general of Afghanistan’s National Environmental Protection Agency, Wakhan National Park lies in a narrow corner of Afghanistan and is bordered by Tajikistan to the north, Pakistan to the south, and China to the east.

The Amu Darya River, which begins in Wakhan National Park, is also the point where the Pamir and Hindu Kush Mountains converge.

The wildlife in Wakhan National Park are incredibly diverse and encompass an array of snow leopards, lynx, wolves, brown bears, ibex, and red foxes, as well as the elusive Pallas’s cat. Wakhan National Park is also home to the famous Marco Polo sheep, which are characterized by their distinctive long horns that stretch almost 2 meters from tip to tip.

Ab-i Istada National Waterfowl and Flamingo Sanctuary

Ab-i Istada, which translates as “standing water,” is located in the Nawa District, Ghazni Province, Afghanistan. This endorheic salt lake lies within a large depression in the southern foothills of the Hindu Kush that was formed by the Chaman Fault System.

With a surface area of around 130 square kilometers, Ab-i Istada is relatively shallow, at around 3.7 meters deep. The lake encompasses two small islands near its southeastern shore: Kuchney ghundai and Loya ghundai.

The Nahara and Sardeh Rivers also drain into Ab-i Istada from the northeast. When the lake reaches a high level, the overflow drains into the Lora River, a tributary of the Arghistan River.

Outside of visits from nomads from Kandahar who pass through the region each summer, the area has remained unpopulated until relatively recently. At the start of the 21st century, the Tarakai tribe began settling near the lake, establishing eight villages within a 10-kilometer region housing a total population of approximately 5,000. Today, local communities engage in a variety of activities such as agriculture; timber collection; and the trapping of peregrine and saker, which are both highly prized falcon species.

The Ab-i Istada National Waterfowl and Flamingo Sanctuary is visited by more than 120 migratory species, including vast flocks of greater flamingos and Siberian cranes.

Bamyan Plateau Protected Area

The government of the Islamic Republic of Afghanistan created this 4,200-square-kilometer national park in November 2019. Located in the Hindu Kush Mountain Range, the Bamyan Plateau Protected Area represents Afghanistan’s second largest protected area after Wakhan National Park.

Image by Hadi Zaher | Flickr

Bamyan Plateau is geographically diverse and features high-altitude grasslands, jagged rock formations, and deep gorges. Its pristine rangeland and gigantic, deep canyons are home to a plethora of flora and fauna, including the rare Persian leopard, Himalayan ibex, lynx, foxes, pikas, and marmots.

The Bamyan Plateau is the only known area of Afghanistan to be inhabited by boreal owls and Asian badgers.

Nuristan Nature Reserve               

Starting to the west of Kabul and ending at Afghanistan’s border with Pakistan, the Nuristan Forest encompasses multiple communities, including Nilaw, Arandu, Sao, Kunar, Pasenta, Nangalam, Kamdesh, and Naray, as well as the region’s capital city, Parun. Cities, towns, and villages in the Nuristan region are home to approximately 140,000 people, with settlers first populating the area about two centuries ago.

The Nuristan Forest is world famous for its outstanding natural beauty. The region is believed to be Afghanistan’s most biologically diverse due to the regional humidity created by Indian Ocean monsoons.

Recent biological surveys carried out in Nuristan Nature Reserve reveal that several species, including gray wolves, leopards, and Asiatic black bears continue to thrive throughout the region. Species commonly observed in the area include Indian crested porcupines, red foxes, rhesus macaques, yellow-throated martens, and golden jackals.

Band-e Amir National Park

Translating as the “Commander’s Dam,” which is believed to be a reference to the Muslim Caliph Ali, Band-e Amir National Park is home to the Hazaras people, who constitute approximately 10% of the total population of Afghanistan.

Recognized as a World Heritage site in 2004, Band-e Amir became a national park in 2009. By 2013, 6,000 tourists were visiting the region annually. Protected by park rangers, Band-e Amir features six separate lakes, the largest of which is Band-e Haibat, or the “Lake of Grandiose.”

Wildlife spotted in the region include urial sheep, wolves, lynx, red foxes, Pallas’s cats, and ibex wild goats. Visitors are drawn to the region by the purported healing properties of the local lakes. In addition, pilgrims frequent the area to visit Prophet Ali’s holy shrine.

A Look at the National Museum of Afghanistan and Its Many Treasures

Located in Afghanistan’s capital, Kabul, the National Museum of Afghanistan was established in 1919. Originally housed in Bagh-i-Bala Palace, the museum housed weapons, miniatures, manuscripts, and works of art belonging to the Afghan royal families.

In this article, we look at the history of the museum, its collections, and the important artefacts housed there.

The original Afghan National Museum opened during the reign of King Amanullah Khan.

Originally known as a “Cabinet of Curiosities,” the collection was moved to its present location in 1931. In 1964, historian Nancy Dupree cowrote A Guide to the Kabul Museum.

During the 1990s, the site served as a military base. Curators sealed items in metal boxes and removed them for safekeeping, storing many artefacts in vaults throughout Kabul, while others were looted and found as far afield as Europe.

Between 2003 and 2006, the museum carried out extensive structural refurbishments, at a cost of around $350,000. Museum officials recovered precious objects, adding them to inventories and placing them back on display.

Since 2007, Interpol and UNESCO have helped recover more than 8,000 artefacts belonging to the National Museum of Afghanistan. In July 2012, the British Museum returned 843 artefacts, including the priceless first-century Begram Ivories.

The Begram Ivories consist of more than a thousand figures and plaques.

Dating back to the first and second centuries CE, these ivory and bone carvings are widely regarded as some of the finest examples of Kushan art. Rediscovered in the 1930s in Bagram, Afghanistan, these carved panels were likely originally attached to wooden furniture.

The carvings attest to the cosmopolitan tastes of the local elite, the skills and sophistication of local craftsmen, and the prolific ancient trade in luxury goods.

The ancient city of Kapisi, located near modern Bagram, formed the capital of the Kushan Empire, an ancient civilization that spanned northwest India to northern Afghanistan. Dominating two passes of the Hindu Kush mountains, Kapisi was a strategically important city. Early Kushans are well known for their arts, producing sculptures, paintings, and friezes between the first and fourth centuries CE.

The Begram Ivories include intricate, decorative plaques that depict male and female courtiers, musicians, and dancers. They also feature mythological creatures, such as griffins, as well as elephants, lions, birds, flowers, and architectural backdrops. Color pigments recovered during analysis reveal they were originally painted red, black, blue, and indigo.

The Bactria Exhibition

The historic region of Bactria in Central Asia encompassed what is now Afghanistan, Tajikistan, and Uzbekistan. It was home to a number of civilizations over the millennia, including the Persian Achaemenid Empire, the Greek Seleucid Empire, and the Greco-Bactrian Empire. Bactria was famous for its wealth, thousand cities, and the outstanding fertility of its lands.

Balkh, Bactria’s capital, formed the cultural and political center of the Aspa, Cyanides, and Pishdadian dynasties. Balkh was an important trade center, effectively serving as a crossroads between Western and Eastern cultures throughout the Achaemenid period and later.

Both Buddhism and Zoroastrianism were practiced in Bactria until the sacred religion of Islam began to flourish throughout the region and the majority of the population became Muslim.

Over the course of the last century, archaeological sites across the region have yielded precious artefacts, many of which are exhibited by the museum today, including examples from the Stone Age and Bronze Age as well as the Aryan, Achaemenid, Greco-Bactrian Scythian, and Kushan periods.

The museum features displays of Paleolithic and Mesolithic tools, as well as intricate examples of Bronze Age jewelry inlaid with lapis lazuli. There are also pieces dating back to Alexander the Great’s expedition across the region, with ivory pieces serving as important examples of Hellenistic (Greek) art.

The Ghazni Exhibition

The word Ghazni comes from the Persian word for jewel.

In 2013, Ghazni was named the Islamic Capital of Culture by the Islamic Educational, Scientific, and Cultural Organization (ISESCO). Situated 150 kilometers southwest of Kabul, Ghazni formed the center of the province of Arakuzia in ancient times. Once the Islamic empire’s largest city, the city lies on the road between Kabul and Kandahar.

The National Museum of Afghanistan houses an extensive collection of marble stones recovered from Ghazni over the last decade, dating back to the 11th century CE.

UNESCO has supported the museum in its refurbishment program.

Working together with UNESCO, as well as a host of other cultural development organizations, the museum has rehabilitated its buildings and grounds, invested in its staff, and revamped displays of its priceless collections.

The museum has also implemented advocacy, project design, and funding and awareness strategies, making a great deal of progress over the last few years. As a result, the National Museum of Afghanistan has established a global reputation as one of the finest collections of Afghan and Central Asian art and archaeology

Afghan Art on the World Stage at the “Made in Afghanistan” Exhibit

When you think of Afghan art, you might call to mind some examples of delicate woodwork, exquisitely set gemstones, or intricate carpet weaving. But although Afghanistan is currently experiencing an important reconnection with these historic arts and crafts, there is more to the country’s evolving artistic and cultural landscape than these traditional forms.

Intriguingly, after decades of repression, Afghanistan is once again home to a small but vibrant contemporary art scene fueled by a community of exciting and talented artists who are committed to showing the world a different side of their homeland. And show the world they did at the recent “Made in Afghanistan” exhibition, held from November 2019 to January 2020 at Etihad Modern Art Gallery in the United Arab Emirates. Read on to learn more about the exhibit, the participating artists, and why this opportunity was important for contemporary art in Afghanistan.

What was the Made in Afghanistan exhibition all about?

Made in Afghanistan is the largest art exhibition focused entirely on Afghan artists that has ever been held in the UAE. Featuring over 50 artworks from 11 different artists working across a range of disciplines, both contemporary and traditional, Made in Afghanistan is a celebration of Afghanistan’s cultural heritage that also marks the 100th anniversary of the country’s independence. The aim of the exhibition—which included handcrafts, antiques, and agricultural products alongside a wonderful selection of modern artworks—was to introduce visitors to Afghanistan’s unique artistic and cultural scene, which is often overlooked next to stories of the country’s conflicts and challenges. The exhibition also sought to deliver a special message of peace and hope from contemporary Afghan artists.

Who organized the exhibit?

A number of different partners, both in Afghanistan and in the UAE, worked together to make Made in Afghanistan possible. These players included:

The Etihad Modern Art Gallery (EMAG)—A multi-purpose art space and café in the heart of Abu Dhabi, EMAG has been providing a vital showcase for local and international artists since it was established in 2013. With the goals of advancing Abu Dhabi’s art scene, promoting Emirati culture and arts to a wider audience, and providing emerging and established artists alike with a platform for their passion, EMAG offers a regular program of art shows and events at home and internationally in partnership with respected galleries and institutions.

Berang Arts—A co-curator of Made in Afghanistan, Berang Arts is a Kabul-based group that works to develop and support contemporary arts in Afghanistan. For the past decade, the peer-run organization has been an important resource for both new and established artists trying to negotiate the challenging balance between Afghanistan’s traditional values and their own contemporary aesthetic.

The Afghan Embassy—The Embassy of Afghanistan in Abu Dhabi, one of the world’s largest Afghan embassies, played an important supporting role in organizing the Made in Afghanistan exhibit, working with both EMAG and Berang Arts to bring the artworks for display from Afghanistan to the UAE.

Which artists participated in the exhibit?

Some of the most exciting artists currently working in Afghanistan were featured in the Made in Afghanistan exhibition, including:

Mohammad Shahab Eslami—An active member of Berang Arts and a founder of the Kabul photography group Induction, Mohammad Shahab Eslami is an experimental filmmaker and photographer. A self-taught artist, Eslami explores different genres of photography to capture the form and content of contemporary human life. Six of his pieces were shown at Made in Afghanistan.

Shamsia Hassani—A co-founder of Berang Arts, Shamsia Hassani is believed to be the first female graffiti artist in Afghanistan. Her work, which features vivid imagery that symbolizes the issues faced in modern Afghanistan, can be found on walls and buildings around Kabul.

Robaba Mohammadi—At just 19 years of age, Robaba Mohammadi has overcome tremendous obstacles in order to make a name for herself as an artist. Unable to walk or use her hands due to a condition she’s had since birth, Mohammadi found her passion for art during her lonely years of growing up without being able to attend school. Today, she paints and draws using her mouth, producing beautifully detailed portraits of Afghan streets and people. She is also a passionate advocate for the rights of people with disabilities in Afghanistan.

Why was the Made in Afghanistan exhibition important?

Made in Afghanistan offered a very valuable opportunity for these 11 young artists to show their work internationally, and in another Arab country at that. As explained by Nabila Horakhsh, a co-founder of Berang Arts and a co-curator of the exhibition, Afghan artists have few opportunities to exhibit inside Afghanistan while also struggling to access international galleries. This means that chances for their work to be seen by the public are rare. Everyone involved in the Made in Afghanistan exhibition hopes that this event will mark the beginning of a long-term relationship between Afghan and Emirati artists, with more exhibits and exchanges to come on both sides.