What You Need to Know about the UNESCO Creative Cities Network

UNESCO logoIn 2015, the city of Bamiyan became the first urban center not only from Afghanistan, but from all of Central Asia, to become a member of the UNESCO Creative Cities Network (UCCN). This unique global network fosters and facilitates cooperation between its members as they work to invest in creativity in order to drive sustainable urban development, social inclusion, and a vibrant cultural life. Read on to learn more about the UCCN’s mission and activities, and about Bamiyan’s membership in the network.

 

What is the UNESCO Creative Cities Network?

The UCCN is an international network of cities that have identified creativity as a key strategic factor in promoting sustainable urban development and are actively investing in local creative initiatives to help bring economic, social, cultural, and environmental benefits to their residents. In other words, the UCCN’s member cities place creative and cultural industries at the center of their local development plans and are interested in cooperating at the international level to share knowledge and best practices and develop fruitful partnerships.

Launched in 2004, the UCCN has seen remarkable growth over the years. Today, the network comprises 180 cities from 72 countries all around the world—from Adelaide to Zahlé—and serves as an important partner for UNESCO in implementing the 17 Sustainable Development Goals that drive the UN’s 2030 Agenda for Sustainable Development. The UCCN covers seven creative fields, including crafts and folk art, film, design, gastronomy, literature, media arts, and music.

 

What are the UCCN’s objectives?

As outlined in its mission statement, the UCCN was created to help fulfill a number of key objectives, including the following:

Cooperation—Because knowledge sharing and partnerships are vital for productive growth, the UCCN aims to promote and strengthen international cooperation among its member cities.

Creative initiatives—The UCCN aims to support and stimulate member cities’ initiatives that emphasize creativity as an essential component of urban development (these initiatives often involve local partnerships between the public and private sectors and civil society).

Cultural production—Cultural activities, goods, and services are an important part of a thriving creative economy. As such, the UCCN aims to strengthen their creation, production, distribution, and dissemination within and beyond member cities.

Opportunity creation—The UCCN aims to develop and support creative and innovative hubs in order to broaden opportunities for cultural sector professionals and creators.

Access—For creative and cultural initiatives to make a true difference to a city’s social fabric, they must be accessible to all residents. A key UCCN objective is therefore to facilitate vulnerable and marginalized populations’ access to and participation in their city’s cultural life.

Integration—The UCCN supports the full and comprehensive integration of culture and creativity into its member cities’ development strategies and plans.

 

 

What actions and initiatives does the UCCN work on?

For maximum impact, the UCCN works to implement its objectives at both the city level and the international level. Particular areas of action the UCCN focuses on include the sharing of knowledge, experiences, and best practices among member cities; the development of pilot projects, partnerships, and initiatives that bring together the public sector, the private sector, and civil society; exchange programs and networks for artists and other creative professionals; research and studies on the experience of member cities and their participation in the network; policy creation for sustainable urban development; and other activities that build awareness of the UCCN and its mission.

 

Why is creativity important for cities?

The UCCN strongly believes that people experience culture and creativity primarily on a local level. Given that cities are, by definition, the principal breeding grounds where cultural and creative industries and emerge and develop, those cities that allow these industries to thrive are working towards a future in which sustainable development supports and enriches the lives of all citizens. Vibrant cultural sectors help to foster social diversity and cohesion, intercultural dialogue, and well-being, all of which are vital to local urban populations, wherever they may be.

 

Why was Bamiyan chosen as a UCCN member city?

Bamiyan, which was chosen in the category of crafts and folk art, has a wealth of cultural assets and knowledge that have developed over millennia, particularly during the city’s time as a hub of trade, cultural exchange, and knowledge sharing in the days of the Silk Road. Today, Bamiyan is widely recognized as a trailblazer in revitalizing traditional crafts and folk art, and it prioritizes creativity and culture as important drivers for urban renewal and social betterment. As a member of the UCCN, Bamiyan’s plans include the establishment of the Bamiyan Cultural Center and the development of an initiative to map the city’s creative industries and to identify the highest-priority needs of local creators. Bamiyan is also supporting cooperative exchanges with other UCCN member cities in the same field and directing efforts to promote the city at the national and international levels as a hub of crafts and folk art.

How Is the ARTF Supporting Agriculture in Afghanistan?

ARTFlogoAs one of the largest international entities funding Afghanistan’s ongoing rebuilding and development process, the Afghanistan Reconstruction Trust Fund (ARTF) is committed to investing in projects that will make a real difference in the lives of ordinary Afghans. At present, one of the most important focus areas for ARTF support is agriculture.

Contributing 31% of Afghanistan’s GDP and employing an incredible 59% of its labor force, the agricultural sector is a critical component of Afghanistan’s future economic prosperity. Ensuring that it is properly financed is therefore a major priority for ARTF. Read on to learn more about some of the active agriculture portfolio investment projects that are currently receiving ARTF support.

 

On Farm Water Management Project

In an arid country like Afghanistan, where only about 12% of the land is arable, irrigation and water management initiatives are absolutely critical. However, years of conflict have left most of the modern irrigation systems throughout Afghanistan in a state of neglect and disrepair, making it difficult for farmers to achieve the levels of agricultural productivity needed to drive economic growth and ensure food security.

The primary objective of the On Farm Water Management Project is to enhance the efficiency of water use in targeted areas in order to improve agricultural productivity. Under the umbrella of the project, physical improvements of tertiary irrigation facilities (on individual farms) are being carried out, thus providing farmers with an improved, reliable, and equitable way to distribute irrigation water on their lands.

The project is expected to result in a 25% increase in water use efficiency in project areas and a 30% increase in the productivity of agricultural crops. In addition, water user organizations will likely be better able to carry out operations and maintenance tasks, and Afghanistan’s Ministry of Agriculture, Irrigation, and Livestock will have more capacity to plan, implement, and monitor future projects in this area.

Irrigation Rehabilitation and Development Project

Through the Irrigation Rehabilitation and Development Project, the ARTF is addressing the pressing question of irrigation and water management in Afghan agriculture on a larger scale than the On Farm Water Management Project described above. Despite recent achievements supported by other funders, there is still a huge unmet demand for irrigation rehabilitation all across Afghanistan. Prior to 1979, there were about 3.2 million hectares of irrigated area, but in 2007, that figure had fallen to just 1.8 million hectares. Between 2007 and 2011, close to 0.9 million hectares were rehabilitated, but there is still considerable work to do.

The Irrigation Rehabilitation and Development Project aims to close this gap by providing support for the rehabilitation of irrigation systems serving about 300,000 hectares of land. In addition, the project will invest in the design and construction of several small, multi-purpose dams and associated irrigation distribution systems in closed river basins. Other elements of the project include the establishment of facilities and services for hydro-meteorological work, and project management and capacity-building initiatives in several communities. The project is expected to yield a 15% increase in total irrigated area and a minimum 20% increase in crop yields in the newly rehabilitated zones.

 

National Horticulture and Livestock Project

The National Horticulture and Livestock Project works toward the ARTF’s overarching goal of increasing production of horticultural products and improving animal production and health. The main objective is to train farmers in improved production practices and to support them as they adopt these practices on an ongoing basis. Practically speaking, this involves a gradual rollout of farmer-centric agricultural services systems complemented by targeted investment support. The scope of the project has been expanding as conditions warrant, but has the capacity to serve up to 100 focus districts across 22 provinces.

Some of the expected results of the program include 6,000 hectares of rehabilitated orchards benefiting 30,000 people and the creation of 8,000 new orchards with a survival rate of at least 70%. In addition, close to 100,000 farmers will receive training in a horticulture production practice. Project managers also anticipate that 50% of targeted farmers will make regular livestock inoculation a part of their practice.

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Afghanistan Agriculture Inputs Project

The main objective of the Afghanistan Agriculture Inputs Project is to build and strengthen institutional capacity so that certified wheat seed can be sustainably produced and so that farmers can be sure the seed, pesticides, and other inputs they use are safe and reliable. With that goal in mind, the project works to boost capacity in the value chain for the production of certified wheat seed, and to prevent the marketing and sale of any pesticides and fertilizers that are banned, hazardous, sub-standard, or otherwise unreliable. The project also seeks to reduce the risk that plant quarantine pests will be introduced or spread throughout the country, and to facilitate farmers’ access to reliable, high-quality agricultural inputs. Expected results include higher annual production of certified seed, the development of an improved listing of plant quarantine pests and diseases, and testing of at least 180 product samples for pesticide residues.

What Is the Afghan Heritage Mapping Partnership?

With a history stretching back thousands of years and a landscape full of ancient monuments and cultural sites, Afghanistan truly is a dream destination for archaeologists. However, factors like challenging environmental conditions, transportation and accessibility issues, and security concerns also mean that the country isn’t the easiest place to conduct fieldwork.

To overcome these obstacles and continue the quest to explore Afghanistan’s treasure trove of cultural heritage, a team of resourceful, US-based archaeologists is employing a surprising new tool: satellites. Drawing on satellite imagery and other geospatial technologies, the Afghan Heritage Mapping Partnership is uncovering never-before-seen archaeological sites across Afghanistan and forging a new path for archaeological research and cultural heritage preservation monitoring in difficult-to-access regions. Read on to learn more about this exciting project.

 

What is the Afghan Heritage Mapping Partnership?

The Afghan Heritage Mapping Partnership (AHMP) is a three-year project that aims to use imagery from satellites and other geospatial technologies to build a comprehensive database, known as a geographic information systems (GIS) database, of archaeological sites in Afghanistan. The AHMP is based at the Center for Ancient Middle Eastern Landscapes, a department at the Oriental Institute of the University of Chicago, and is supported by grants from the US State Department and the US Embassy in Kabul. Other partners working on the project include the Afghan Institute of Archaeology in Kabul and Kabul Polytechnic University.

 

How did the AHMP get started?

The AHMP was first conceived by Dr. Gil Stein, a University of Chicago archaeologist and the director of the Oriental Institute. Concerned about the impact that years of conflict, development pressures, and environmental challenges could have on Afghanistan’s cultural heritage, Dr. Stein and other cultural heritage experts met with Afghan president Ashraf Ghani in 2014. Ghani, who holds a PhD in anthropology from Columbia University and served as the top anthropologist for the World Bank, called for a unified and detailed effort to discover, identify, and catalog cultural relics from the country’s past; in doing so, he emphasized how critical cultural heritage is to economic development and the creation of a strong national identity. The following year, Dr. Stein’s team received a grant from the State Department, along with access to US government satellite imagery that is typically a full order of magnitude more precise than most images that are publicly available.

 

What are the goals of the AHMP?

Some of the top priorities for the AHMP team include:

Comprehensive inventory and mapping efforts—The backbone of the AHMP project is the creation of a comprehensive database of archaeological sites in Afghanistan, both those that have already been identified and cataloged (specifically, those that are listed in the Archaeological Gazetteer of Afghanistan, a 1982 publication serving as a primary resource for the AHMP project), and those that are previously unmapped. High-resolution geospatial datasets allow AHMP researchers to positively identify sites with exceptional accuracy, as well as offering important insights into how Afghanistan’s rapidly expanding cities and development projects are affecting areas of archaeological importance.

Monitoring site threats and destruction—Unfortunately, many archaeological sites in Afghanistan have already suffered as a result of conflict, looting, mining development, and urbanization. The AHMP aims to document and analyze the types and severity of destruction that have affected key archaeological sites, as well as examine areas where site preservation and protection efforts have proved effective. To accomplish these objectives, AHMP researchers work with time-based images, available through an online repository at the US State Department, to look at how sites have changed over time and to examine what risks might still be facing them.

Training Afghan researchers in the use of GIS technology—An important priority for the AHMP is providing on-the-ground training in geographic information systems (GIS) technology to Afghan archaeologists and cultural heritage specialists. To achieve this, scholars from the Oriental Institute worked with the GIS faculty at Kabul Polytechnic University, which has two GIS laboratories at its disposal. The goal of these training programs is to give archaeologists new tools to use in their work and teaching and to help introduce students in the urban planning and mining sectors to the importance of heritage preservation.

 

What discoveries have been made by the AHMP so far?

By late 2017, the AHMP had already made significant progress, with team members announcing that their work with satellite imagery had more than tripled the number of Afghan archaeological features that had previously been published. Some of the most exciting discoveries include the identification of 119 caravanserais—inns with courtyards—in the deserts of southern Afghanistan. Dated from the late 16th and early 17 centuries, these mudbrick buildings were important roadside stops for travelers along historic trade routes. The caravanserais are spaced roughly 20 kilometers from each other, which would have been about the distance that a large caravan could travel in a day.