What You Need to Know about Bond Street Theatre in Afghanistan

The creative arts have long served as an important tool for empowerment and social development all around the world. In Afghanistan today, the not-for-profit NGO Bond Street Theatre is harnessing the transformational power of the arts to bring hope and change to Afghans seeking to rebuild their lives and their communities after decades of conflict. Read on to learn more about Bond Street Theatre and its role in Afghanistan’s development.

What is Bond Street Theatre?

bondstreettheatrelogoFor more than 40 years, Bond Street Theatre has been using the uplifting powers of the arts to respond to global humanitarian crises. Founded in 1976 with a mission to promote peace and understanding through the arts, the New York-based organization operates around the world, working with local artists and civilians to develop creative programming and performances that illustrate and address important social issues.

Through its theater and theater-based programs, Bond Street Theatre helps inspire and educate youth, promote human rights, give space to marginalized voices, and provide peacebuilding and healing tools for communities recovering from conflict. The organization has worked in more than 40 countries around the world in a variety of settings, including schools, prisons, refugee camps, remote communities, and urban centers.

A history of Bond Street Theatre in Afghanistan

2003—Bond Street Theatre’s first project in Afghanistan—a healing program targeting the thousands of refugee families pouring back into the country—is undertaken in collaboration with Exile Theatre, a local company composed of professional theater artists who were formerly living in exile. In addition, Bond Street Theatre works with Afghanistan-Schulen, a German nonprofit dedicated to education in Afghanistan, to support educational initiatives reaching an estimated 25,000 children in the rural regions of the northern part of the country.

2005—Bond Street Theatre spends two semesters in residence at Kabul University, teaching students and developing Beyond The Mirror, a collaborative production devised with Exile Theater. Beyond The Mirror marks the first-ever theatrical collaboration between Afghan and American companies. The production enjoys its world premiere in Kabul and later tours the US and Japan to resounding critical and public acclaim.

2006-2009—This three-year period sees the launch of the US-Afghan Arts Exchange and Conflict Resolution Project, a bold new initiative intended to foster and facilitate artistic exchange and dialogue among artists from Afghanistan, India, and the US. Participating artists work together to create A Kite’s Tale, a play about children’s rights in India, which is presented together with inspirational and education workshops for women in rural communities, street children, and other marginalized groups.

2007—Bond Street Theatre partners with Aschiana, a Kabul-based organization dedicated to supporting Afghan children working on the streets, to deliver workshops on self-expression, self-confidence, and group cooperation. In addition, the company spends time at the Mediothek Center in Kunduz training a local theater group.

2008—Bond Street Theatre’s partnership with Aschiana continues, this time in Mazar-i-Sharif, where the company delivers theater technique-based workshops to build self-confidence and improve education for street children.

2010-2012—The year 2010 marks the launch of the Theatre for Social Development Project, in which Bond Street Theatre works to train and support Afghan theater companies. The project’s broad goals are to use theater to bring new information and ideas to rural areas with very low literacy rates. It also aims to help build the capacity of local theater companies to serve as an educational and inspirational resource for their own communities on an ongoing basis.

Four Afghan theater companies participate in the project: Simorgh Film & Theatre in Herat creates two shows that focus on conflict resolution and family issues and are presented in correctional centers, drug rehabilitation facilities, and schools and youth centers; Kabul’s White Star Company produces two shows that use audience participation to explore alternative solutions to critical social issues; Nangarhar Theatre in Jalalabad develops two performances addressing women’s rights and rule-of-law issues; and Kandahar Theatre introduces two shows, one of which is performed directly in family homes for audiences who have never before seen live theater.

2013-2014—Funded by the United States Institute of Peace, Bond Street Theatre launches the Voter Education and Fraud Mitigation Project in the months leading up to Afghanistan’s presidential and run-off elections. Working together with local partner theater companies, Bond Street Theatre’s touring performances help educate more than 150,000 people on voter rights and related issues.

2014-2016—Bond Street Theatre continues its focus on young people with the launch of the Youth-Led Community Improvement Project. In this country-wide initiative, 375 youth from 25 provinces come together to receive intensive training in leadership, community service, and the arts. Theater-based workshops focus on creative problem-solving, improved communication skills, and identification of key issues in the participants’ home communities.

The project culminates with each participant creating a community Action Plan, and then returning to his or her home community to implement those plans. The Youth-Led Community Improvement Project participants are now a vitally important part of Afghanistan’s growing network of young people committed to creating lasting change.

2017—Bond Street Theatre works with youth leaders from eight Afghan provinces to help inform and engage communities across the country on issues and questions around access to justice and legal rights.

How IFAD Is Helping Boost Agriculture in Afghanistan

In the 1970s, a series of food crises focused global attention and concern on the rapidly growing problems of food insecurity and famine. In response to these challenges, the first World Food Conference was held in 1974. One of the major outcomes of the conference was the establishment of the International Fund for Agricultural Development (IFAD), a specialized United Nations agency, in 1977. Since that time, IFAD has been deeply involved in financing agricultural and food production development projects worldwide, with the goal of ultimately eradicating rural poverty in developing countries.

Although Afghanistan was one of the first countries to join IFAD, development programs that were originally approved for the country in 1979 were not able to be implemented for many years due to conflict and instability in the region. Recently, however, IFAD has been able to support a number of both small- and large-scale efforts to reduce poverty and boost agricultural development in Afghanistan.

Community Livestock and Agriculture Project

Launched in selected districts of three Afghan provinces—Kabul, Parwan, and Logar—the goal of this project was to help close to 170,000 rural households increase their agricultural and livestock productivity, and consequently improve their food security. Targeting small-scale farmers and livestock-keepers, the project aimed to provide support to some of Afghanistan’s most vulnerable populations, including landless households and resettled and nomadic Kuchi people.

Three mutually reinforcing components formed the basis of this project. The first element was community development, focusing on improving infrastructure and helping local organizations and institutions build internal capacity. The second element was livestock and agriculture development, with a strong emphasis on providing marginalized communities and families with critical skills and knowledge to make the most of their assets. This element also aimed to strengthen weak areas of the value chain and reinforce smallholders’ market connections. Finally, project management and policy support made up the third project element, notably in the form of a young professionals program designed to attract and motivate qualified young staff to support the project.

Rural Microfinance and Livestock Support Program

Launched in Afghanistan’s relatively secure and stable northern region in 2009, the Rural Microfinance and Livestock Support program aimed to improve the livelihoods of smallholders and livestock owners living in poverty. Working in partnership with the government of Afghanistan and the Microfinance Investment Support Facility for Afghanistan (MISFA), IFAD initiated this program to address the dual objectives of meeting demand for rural finance and improving the livestock sector.

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On the finance side, the program aimed to help consolidate recent gains made by the microfinance sector and to connect hundreds of thousands of Afghans with their first opportunity to access credit. Through specific measures like the development of a broader range of financial products and services designed to meet the unique needs of smallholders, or the reduction of lending costs in order to combat high interest rates, the program worked to ensure that even the poorest rural people could have access to microfinance services. Some of the program’s particular innovations included creating public-private partnership models for the delivery of livestock extension and veterinary services, and implementing measures to ensure that even landless people, such as the nomadic Kuchis, could access dairy development initiatives.

The livestock improvement side of the program sought to address the sharp decrease in the number of livestock that had resulted from drought and disrupted grazing routes. With small poultry flocks on the brink of disappearance, poor families having lost their few cattle, and conflicts arising over users’ rights and overgrazed rangeland, the agro-livestock owners and nomadic and semi-nomadic people that relied on the livestock sector as their major source of cash income were at risk of losing their livelihoods altogether. The IFAD program aimed to boost the livestock sector and generate greater income for poor rural households by supporting a number of initiatives, including small-scale dairy activities like milk and fodder production; better livestock nutrition and health services in northern Afghanistan; and activities focused on backyard poultry raising and dairy goat raising.

Other Partnerships and Opportunities

As a relative newcomer to Afghanistan’s development landscape, IFAD is working to establish critical dialogue and alliances with many other organizations on the ground, including government agencies, international donors, research institutions, and NGOs.

In particular, IFAD is aiming to enhance its presence and the scope of its activities in Afghanistan by forming country-level collaborations with the World Bank, the UN Food and Agriculture Organization, and the World Food Programme. IFAD also liaises with the Asian Development Bank to examine opportunities for co-financing and parallel financing arrangements, and connects with bilateral donors to learn from and build on their experiences of working in Afghanistan. Other organizations that have been instrumental in helping IFAD launch its projects include the Aga Khan Foundation, the Agency Coordinating Body for Afghan Relief, and Bangladesh Rural Advancement Committee (BRAC).

What You Need to Know about Babur’s Gardens in the Heart of Kabul

Although Central Kabul may not be the first place where you would expect to see hundreds of springtime roses in bloom, that’s exactly what you’ll find at Bagh-e Babur, also known as Babur’s Gardens. The largest public green space in Kabul—with a history that stretches back more than five centuries—Babur’s Gardens are not only a beautiful and peaceful oasis, but one of the finest living examples of Afghanistan’s commitment to renewing and restoring its cultural heritage. Read on to learn more about this beloved Kabul landmark.

History

Babur History

Image courtesy Wikipedia

Babur, the founder of the eponymous gardens, was born in 1483. A descendent of Genghis Khan and the nomadic leader and conqueror Tamerlaine, Babur became the first Mughal emperor and the head of a dynasty that ruled much of South Asia for two centuries. The Mughal empire consolidated Islam and advanced the reach of Persian arts and culture in the region.

In 1504, Babur captured Kabul, which served as his capital for two decades. An avid gardener and nature enthusiast with a passion for flowers and landscape, Babur was personally involved in the design and creation of at least 10 gardens in the city during his time there. The site now known as Bagh-e Babur—one of the oldest surviving Mughal gardens—was previously the location of a monumental building dating back to the third century BC.

Babur died in 1530 in the Indian city of Agra. Prior to his death, he expressed a wish to be buried in Kabul. Around 1544, his widow finally transferred his body to that city, where he was interred in Babur’s Gardens. Historians and archaeologists speculate that the presence of remains of older tombs in the building on which these gardens were constructed may have inspired Babur’s decision to be buried there rather than at one of his many other gardens. As the home of Babur’s tomb, Bagh-e Babur became a symbolic and venerated site during the reign of the Mughals.

Spaces for physical and spiritual refreshment

Gardens hold a special place in Islamic culture. Echoing the ancient concept of paradise as a garden, Islamic gardens are designed as spaces for physical and spiritual refreshment. Key elements of such gardens include flowing water, shade, lush foliage, and perimeter walls. In addition, Islamic gardens follow specific principles in layout, design, and function.

Like other Islamic gardens, the 11-hectare Bagh-e Babur was originally laid out in the charbagh—or “four garden”—pattern: a classical arrangement that divides the enclosed space of the garden into clearly defined quarters through a series of rising terraces intersected by a central watercourse. The prominent central axis of the garden provided a multi-directional vista, and the trees, herbs, and flowers were all carefully chosen.

Decline and restoration

Gardens of Babur

Image by Wikipedia

After the Mughal dynasty lost control of Kabul, Babur’s Gardens fell into disrepair. Repeated alterations were carried out on the site. One of the largest and most disruptive building programs was implemented by Amir Abdur Rahman in the late 19th century. His structural interventions, which included new buildings and landscaping, significantly changed the visual concept and feel of the garden. However, the alterations did not last long, as King Nadir Shah removed the structures in the early 1930s. During this period, the gardens were open to the public complete with European-style teahouses and restaurants. It was this version of the gardens—which sustained heavy damage as a result of looting and vandalism during the long years of civil conflict—that was preserved until the early 2000s.

In 2002, with the support of the Aga Khan Development Network, a comprehensive restoration of Babur’s Gardens was launched. Over the next five years, the majority of the physical work was completed. Improvements included re-establishing the character of the water channels, planted terraces, and pavilions; creating a swimming pool and caravanserai complex; and replanting local species of trees and plants favored by the reigning Mughals when the garden was first built. The plants ranged from roses and pistachios to the distinctive purple-flowered Judas trees.

The future of the gardens

Today, Babur’s Gardens provide a safe, secure, and peaceful urban green space for Kabul’s residents. Since it reopened to visitors in 2008, Babur’s Gardens have attracted more than 3 million visitors who come to enjoy the gardens and the ticketed events and performances that take place there, such as festivals of Pashtun dancing and even Shakespeare performances. At present, the gardens are managed by the Bagh-e Babur Trust with participation from Afghanistan’s Ministry of Information and Culture, the Kabul Municipality, and the Aga Khan Trust for Culture. The idea is that the revenue from admissions to Babur’s Gardens will help the Bagh-e Babur Trust to achieve long-term financial stability and maintain the garden’s landscaping and monuments.